A N A N a q e
Soprano
CALENDAR
2 0 2 5
Madame Bovary
Ana sings the title role of Madame Bovary in Bovary opera, a new creation for Ana's voice by Harold Noben, directed by Michael de Cock and Carme Portacelli, conducted by Debora Waldman
- at Théâtre Royal de la Monnaie and TN and KVS in Brussels on 12,13,15,16,18,19 th of April
- Bovary on 29, 30th of April 1, 2, 3d of May at Théâtre Amandiers Nanterre in Paris.
Chopin PianoFEST Prishtina
The 28th of May, Recital for the 15th Anniversary of Chopin PianoFEST Prishtina” 2025 " accompanied by pianist Zamir Kabo
- * 28/05 Chopin Piano Fest Prishtina
- * 30/05 Charity Gala Down Syndrome Foundation Albania
- * 1/06 "Pertej Kufijve" Recital Tirana National Opera and Ballet
- * 7/06 Gala Theater Migjeni Shkodra
- * 12/07 MIK Festival Korce
2 0 2 4
Götterdämmerung Première
in the role of Gutrune,
from R. Wagner
31/03/2024
Don Giovanni Première
in the role of Donna Anna
from W. A. Mozart
11/05/2024
Madama Butterfly (Puccini)
in the title role of Madama Butterfly
staged by Mariano Pensotti
at Opera Vlaanderen in Antwerp and Ghent in Belgium
in September and October 2024
Ana Naqe is an Albanian-Belgian soprano with a powerful, warm round voice and a passionate fiery stage presence.
"Soprano Ana Naqe showed endless possibilities of her instrument. It's sad to say that there are no singers who would be able to surprise at the same time with excellent singing technique and fascinating acting skills, so convincingly. The works were adorned by the declamation of the soloist standing on her barefoot. Soprano Ana Naqe silenced her unbridled curls, smiled charmingly and then showers of clapping"
Vocally it was a baptism of fire for the Albanian-Belgian soprano Ana Naque. In this heavy role she was able to show a rich palette of feelings, supported by a solid vocal technique. She experienced a triumph at the final applause. She is, thanks to Pensotti's choice of director, a modern, strong woman. She sings her difficult part very convincing. She is very dramatic, very musical, and also nuanced and tender.•Johan Thielemans - Pzazz Theater•
Dans le rôle-titre, la soprano belgo-albanaise Ana Naqe se révèle particulièrement engagée, mûrissant son personnage au fil des actes par une superbe musicalité doublée d’une expressivité captivante qui lui valent un beau succès au rideau final.•Alfred Caron - Asopera.fr•
Dulcinéa (la soprano Ana Naque, bouleversante dans la tentation du rêve à laquelle elle finit par céder)Jean Jauniaux, Espace Livres Edmond Morrel
De waanzin van de illusie ook over Aldonza/Dulcinea (prachtig gespeeld en gezongen door de Albanees-Belgische sopraan Ana Naqe die wat ons betreft dé ster van de avond is)Bert Hertogs, www.Concertnews.be
"Soprano Ana Naqe tregoi mundësi të pafundme të instrumentit të saj.Është e trishte të thuhet se nuk ka këngëtarë të cilët do të mund të befasonin në të njëjtën kohë me teknikën e shkëlqyer të këndimit dhe aftësitë interesante të aktrimit, në mënyrë bindëse.Veprat u zbukuruan me deklamimin e solistes që qëndronte me kembe zbathur.Soprano Ana Naqe heshti kacurrelat e saj të shfrenuara, buzëqeshi dhe më pas dushe duartrokitjeje "Shume mirënjohëse për këtë kritike të Festivalit Glasperlenspiel në Estoni javën e kaluar në revistën e njohur të kulturës estoneze Sirp. https://sirp.ee/s1-artiklid/c5-muusika/kuulaja-ja-muusika-said-uheks/
"Then when the crying mother ashore takes over this singing, even higher, tormenting herself with guilt, the drama is palpable,She drags you along, inexorably into the desperate sadness"Theaterparadijs press writes about albanian soprano Ana Naqe in her role of Klara Friis in We the Drowned by Carsen Jensen, Bot, Peter Spaepen and Walpurgis.
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